- 2024
- 2023
- 2022
- 2005
POREN HUANG
黃柏仁
黃柏仁，1970 年生於台中，畢業於復興商工雕塑組。
自 1990 年代起即活躍於台灣雕塑界，曾於 1999 年榮獲中部美展雕塑類首獎及市長獎，並多次參與台北國際藝術博覽會。2001 年舉辦「雕痕情深木雕展」，2005 年於台中縣立文化中心推出「狗札記．黃柏仁雕塑展」並出版專書，其代表作《木馬》（2004）、《狗札記之快樂時光》（2006）分別由台中縣立文化中心與國立台灣美術館典藏，顯示其作品在台灣藝術脈絡中的重要性。
自 2003 年起，黃柏仁以「狗」作為長期核心母題，使用銅、不鏽鋼等材質創作《狗札記》系列，並持續發展至今。其作品不單止於寫實再現，而是透過簡練線條、塊面結構與卡漫美學的語彙，將幽默感與情感投射融入其中，呈現一種既輕盈又深刻的當代雕塑語言。其創作常隨音樂節奏而塑形，線條流動自如，強調狗的敏捷姿態與靈敏感官，逐漸形塑出鮮明的個人藝術符號，在國際藝壇亦備受矚目。
Poren Huang, born in Taichung in 1970, graduated from the sculpture program at Fu-Hsin Trade and Arts School.
Active in Taiwan’s sculpture scene since the 1990s, he was awarded First Prize and the Mayor’s Award in the Sculpture category at the Central Taiwan Art Exhibition in 1999, and has participated in the ART Taipei International art fair multiple times. In 2001, he presented “Emotion of Track” Sculpture Exhibition and in 2005, “The Dog’s Notes”: Huang Po-Ren Sculpture Exhibition at the Taichung County Cultural Center, which was accompanied by a monograph. His representative works, Wooden Horse (2004) and Happy Times from Dog Notes (2006), were acquired by the Taichung County Cultural Center and the National Taiwan Museum of Fine Arts, underscoring his significance in Taiwan’s artistic landscape.
Since 2003, Huang has taken the motif of the “dog” as a central theme, developing “The Dog’s Notes” series in materials such as bronze and stainless steel, a practice he continues to this day. Rather than focusing solely on realistic representation, his works employ streamlined lines, block-like structures, and a cartoon-inspired aesthetic to infuse humor and emotional resonance into his forms. Shaped in rhythm with music, his fluid lines capture the agility and sensitivity of dogs, gradually forging a distinctive artistic language that is at once lighthearted and profound. This unique sculptural vocabulary has earned him recognition not only in Taiwan but also on the international art stage.
自 1990 年代起即活躍於台灣雕塑界，曾於 1999 年榮獲中部美展雕塑類首獎及市長獎，並多次參與台北國際藝術博覽會。2001 年舉辦「雕痕情深木雕展」，2005 年於台中縣立文化中心推出「狗札記．黃柏仁雕塑展」並出版專書，其代表作《木馬》（2004）、《狗札記之快樂時光》（2006）分別由台中縣立文化中心與國立台灣美術館典藏，顯示其作品在台灣藝術脈絡中的重要性。
自 2003 年起，黃柏仁以「狗」作為長期核心母題，使用銅、不鏽鋼等材質創作《狗札記》系列，並持續發展至今。其作品不單止於寫實再現，而是透過簡練線條、塊面結構與卡漫美學的語彙，將幽默感與情感投射融入其中，呈現一種既輕盈又深刻的當代雕塑語言。其創作常隨音樂節奏而塑形，線條流動自如，強調狗的敏捷姿態與靈敏感官，逐漸形塑出鮮明的個人藝術符號，在國際藝壇亦備受矚目。
Poren Huang, born in Taichung in 1970, graduated from the sculpture program at Fu-Hsin Trade and Arts School.
Active in Taiwan’s sculpture scene since the 1990s, he was awarded First Prize and the Mayor’s Award in the Sculpture category at the Central Taiwan Art Exhibition in 1999, and has participated in the ART Taipei International art fair multiple times. In 2001, he presented “Emotion of Track” Sculpture Exhibition and in 2005, “The Dog’s Notes”: Huang Po-Ren Sculpture Exhibition at the Taichung County Cultural Center, which was accompanied by a monograph. His representative works, Wooden Horse (2004) and Happy Times from Dog Notes (2006), were acquired by the Taichung County Cultural Center and the National Taiwan Museum of Fine Arts, underscoring his significance in Taiwan’s artistic landscape.
Since 2003, Huang has taken the motif of the “dog” as a central theme, developing “The Dog’s Notes” series in materials such as bronze and stainless steel, a practice he continues to this day. Rather than focusing solely on realistic representation, his works employ streamlined lines, block-like structures, and a cartoon-inspired aesthetic to infuse humor and emotional resonance into his forms. Shaped in rhythm with music, his fluid lines capture the agility and sensitivity of dogs, gradually forging a distinctive artistic language that is at once lighthearted and profound. This unique sculptural vocabulary has earned him recognition not only in Taiwan but also on the international art stage.
